Have just discovered Kingsolver and absolutely loved the symmetry, the imagery, the social statements, the fluidity of style, the juxtaposed conflict of characters and the thought-provoking single word title. All of these elements are proof of a master writer, able to evoke and discuss scientific fact through fiction. The challenge of a realistic younger generation accepting the adjustment and adaptation to a changed world in the face of an older generation's decline because of ideological beliefs in an ever-distant old world order is not a new theme, but what hits home is the fact that this is so well described in the present context, not another study of past generations.
I have loved Barabara Kingsolver's books since the Bean Trees but I found myself having a hard time getting into and sticking with this one. The stories are beautifully told, each in its own prose reflecting the time period of the characters, but it took a long time for the connection to be established between the two. I got the social commentary Kingsolver is making but perhaps it is too close to the news for me to get that feeling of getting lost in fiction.
Sorry...was utterly bored. Found myself skipping entire paragraphs, sections, chapters just to find the plotline. Guess she is not my style.
Lots of botany in here.
Two narration plots are interweaving ingeniously (beyond the characters names and chapter titles), though I was more entertained by sections of 19th century. Regardless of all too familiar scenes in modern time, I much prefer Thatcher to Willa.
Each sentence she writes, even for a mundane state on the surface, should be savored. The accumulated effect can be overwhelming. Many people along with events cross stitched, the whole volume run the risk of a ball of mass materials nearly bursting at multiple seams. As much as Tig's experience in Cuba reminds me time in Trinidad, I wish I could hold the spillover.
I'm in Kingsolver's league (aside from literate beauty, her chosen subjects show her deep responsibility, while her writings appeal to wide readership) totally, never mind lying prone, let her (overdone) social commentaries singing in the ears. A figurative shelter is a mere basic human need, once unsheltered (even by chance), try to be the hopeful who will strive to see a blue sky.
The book may not ring a pleasant tone in sheltered mind searching for a secure and conventional solution to our social mires.
Kingsolver's unique environmental voice comes through in this book that uses 1850s and Darwin's "Origin of the Species" to draw parallels to our modern reaction to the climate crisis.
Kingsolver writes about two different families in two different time periods, both trying to live in a house that is falling apart, and both dealing with political and family issues that are pulling them apart as well.
As always, Kingsolver uses fiction to try to work out her ideas and feelings about issues, and her ideas about the current political and economic struggles are on clear display - the metaphor about the house divided is very on the nose. I quite enjoyed reading about a time and place in history that had a similar feel of unreality to it - it was comforting to feel that our nation has been through similar times of diametric opposition and come out the other side.
I am a Kingsolver admirer, and this is another fine work of literary fiction. Some may indeed be turned off by the political underpinnings of the novel- but there is so much more to this combined story. Small things, like the structure and tone change between the stories. In 1875 it takes on the tone of novels written in that era. The modern day story is a delight to read. The character of Willa, like a modern day Job, may be down, but she is not out. She is bemused and confused, but never defeated. She advises as a mother, ruminates about her plight, and finds herself learning, too. Kingsolver touches on many observations of today's world, from the economy to life in Cuba to the future generations. And, in the Mary Treat story, she shows how that tale parallels today.
As for her craftsmanship as a writer, she has no equal. She doesn't misuse structure; her profound revelations are wrapped in beauty of the sentence structure.
Took me awhile to get attached to the story but it grew on me as the characters became more fully formed. Kingsolver juxtaposes the fear/denial that evolution faced in its time with that of climate change today -- and the seduction of Vineland's naked emperor is all too recognizable. Made me think and provided one of the most satisfying endings to a book I've experienced in some time.
Ever since "The Poisonwood Bible," I have been a Barbara Kingsolver fan. It took me a while to get into "Unsheltered" but once I did, it proved to be gripping. Kingsolver bases her story on a historical figure, Mary Treat, and builds around it. She was a naturalist who lived in Vineland, New Jersey and was way ahead of her time. Te other characters in the book is a family in the present. I loved how Kingsolver links the two families who lived over a century apart. The ending of each chapter provided the heading of the next chapter and the shambles that the house is in, links the two families memorably. My favorite characters were Mary Treat in the then, and and Tig in the now.
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